Working with AI Fashion Models and Pose Selection

Casting comes first: choosing a model whose build and presence suit the garment, and holding onto that model so a collection does not change face halfway through the catalogue.

Then the pose. A PDP asks for a small, disciplined set — front, three-quarter, back and a close-up on the detail that sells the piece. A campaign frame asks for the opposite: movement, an off-axis crop, something a static product shot cannot carry.

The lesson covers how the two sets differ, how many angles a listing actually needs before the extra ones stop earning their place, and how to keep the casting consistent across a season.